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First released 2008 on Searching For The Now vol 1 Slumberland SLR74
A glam rock number with handclaps and foot stomps. It took a while to get the keyboard faux horns at the end right.

…An excellent 60s mod-pop tune…very much recommended.Charles Dickens, Thee Sheffield Phonographic Corporation

A plaintive pop tune that doesn’t forget the melody. www.daggerzine.com, December 2008 So catchy…brilliant! Glasgow PodcArt, 21st August 2009

…A clear example of how to make good pop, with precious vocal harmonies reminiscent of the 70s. Lito Music, Spain

…A peppy rock tune guaranteed to lift your mood and get you psyched for the next such release from Slumberland. Humana, KFJC FM, July 6, 2009

lyrics

Come on, join the dots, 2,3,4 (x2)
Come on, join the dots

Hold tight like she’ll never let on
All night though the big ship is gone
And she’ll never know why she had to go

Cos she’ll...

Refrain: Hold tight - all hands on deck now
All night - don’t you get wrecked now
All right - you gotta expect now
If you wanna read her thoughts
You’re gonna need to join the dots

Hold tight to her evening gown
All night though the captain’s gone down
Down with his ship
Honey, get hip

And she’ll... (refrain)

Middle: Make a connection through the gap
Make a connection - plot the map
Take the rap - don’t get trapped by what you’ve done, son
But she’ll never know the reason why
She had to go and say goodbye

Instrumental: Come on join the dots x 2

Refrain: : Hold tight - all hands on deck now
All night - don’t you get wrecked now
All right - you gotta connect now
If you wanna read her thoughts
You’re gonna need to join the dots

(If you wanna read her thoughts
You’re gonna need to join the dots) x2

Join the dots, tell me what’s up
Tell me what’s up

credits

from The Company Presents Roy M​ø​ller, released December 8, 2019
Vocals - Roy Møller
Bass -Tony Markos
Drums - Ross Wilson
Guitar -Stevie Jackson
Guitar - Zac Ware
Organ - Iain McClean

license

all rights reserved

tags

about

Roy Møller Dunbar, UK

British-Canadian pop artist.

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